The Four of Us

Let me explain something, because it’s probably overdue.

If you go looking for me on the internet — the writing me, not the fifteen-cats-and-a-rainy-view-of-the-Western-Tiers me — you will find not one author but four. Bella Bruce. Avery Beckett. Tara Benson Boyd. And KS Buckley, who I share with my best friend and writing soulmate Karen, because apparently one of everything was never going to be enough for either of us.

There are two reasons this happened, and I’ll be honest about both of them.

The first is that when I was going through university they hammered one particular rule into us with genuine conviction: one author cannot write in more than one genre. It confuses the reader, they said. It’s messy, they said. A brand is a promise, they said, in that way academics have of making marketing sound like philosophy. I absorbed this so thoroughly that even when I eventually threw most of what I learned about publishing out the window, I kept the pen names. Turns out they weren’t entirely wrong — each of my four writers does have a genuinely different voice and style, and keeping them as separate people works better than trying to shift gears inside the one identity. My brain seems to agree, even when the rest of me finds it absolutely exhausting.

The second reason is simpler and considerably more personal: there are parts of my family who would mock me mercilessly for writing romance. The smut, they’d call it, with that particular tone that means they think they’re being funny. I’d have had a pseudonym regardless of genre rules, just to keep the peace and my dignity intact. I simply didn’t anticipate that one pseudonym would quietly become four.

So: Bella Bruce writes sports romance — hockey, mostly, though her universe has expanded to include rockstar and movie star romance because apparently I have no restraint. Avery Beckett writes military romance with thriller tendencies. Tara Benson Boyd writes whimsical fae romantasy. And KS Buckley writes magical realism and detective noir — that one belongs to Karen and me together, in theory, though the distance between Portland and rural Tasmania is doing its level best to complicate things. We have the people. We have the story. We just need to nail down the magic system and the grit, and then we’ll be properly on our way.

There’s a funny thing about KS Buckley’s main characters, actually. Sharp-eyed readers of Avery’s books might notice something familiar about a pair called Marc and Finn. Those two are, in their own way, a version of KS’s world — the same essential people, living a different life. And if something about them seems oddly familiar beyond that, well. You might be thinking of a certain television show. Our plans for these characters never quite fitted the fanfic box, even when that’s where we started out. There’s no shame in fanfic — none whatsoever — but that is absolutely a tale for another day.

This is probably one of the last times I’ll lay all of that out here. This blog is not my writing life — it’s the brain dump that keeps me and the four authors living in my head from collectively losing the plot. You’ll hear about the writing on series launch days, because those make me nervous and excited in equal measure and I tend to spill over a bit. Otherwise, this is just me. Suzy. Clan of three humans, fifteen cats, an indeterminate number of chickens, and a view of the mountains when the weather allows.

The four of them can look after themselves.

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Author: Suzy

Suzy writes from a quiet corner of rural Tasmania, in a 120-year-old station house that has seen more stories than most people ever will. Surrounded by books, cats, and an ever-growing list of ideas, she spends her time building fictional worlds filled with complicated people, found family, and relationships that don’t always fit neatly into a box. She writes under multiple pen names, exploring everything from hockey romance to military stories, magical realism, and fantasy—each one connected by the same emotional thread: people trying to find where they belong. Her personal blog, Life at the Station House, is where she steps out from behind the pen names. Here, she writes about the quieter side of life—rural living, creativity, community, and the moments in between writing sessions that matter just as much as the stories themselves. When she’s not writing, she’s likely tending to her garden, thinking about her next project, or sitting with a coffee while her mind runs a little too fast and a little too unfiltered.

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