Hello, hello. It’s been a minute. Or possibly several minutes. Time has lost most of its meaning this past week and I’m choosing to blame the weather.
We’ve had the kind of Tasmanian winter days that feel less like weather and more like a personal opinion the sky has formed about you. Grey pressing down from all directions, rain that can’t decide if it wants to be dramatic or just persistently miserable, wind that rattles the old station house windows in a way that suggests the building has something to say and is working up to it. The cats — fourteen of them now, which is a sentence I am not yet fully at peace with — have been performing collective judgement from various soft surfaces. The geese have opinions. I’ve had very little motivation to argue with any of them.
I’ve also run out of my ADHD medication, which — if you know, you know. The scaffolding just quietly disappears and you’re left standing there blinking, vaguely aware that there was a thing you were going to do, possibly several things, possibly an entire career’s worth of things, and somehow none of them are happening. I keep meaning to fill the script. I will fill the script. This is me making a promise in public so I actually do it.
In the meantime I’ve been sleeping until what can only be described as the afternoon, waking up to find the morning has fully left without me, and spending the daylight hours doing a very convincing impression of someone who is resting intentionally rather than someone who has simply misplaced their operational software.
The author socials have slid. The Bella and Avery and Tara feeds that I had very carefully been nurturing back to life are sitting quietly on their respective platforms, not bothering anyone, probably fine. I’ll find them again. Right now I’m in the mode where I know the work is there and I know I’ll get back to it and I’m trying to be kind to myself about the gap rather than catastrophising.
Trying. Being kind to yourself is its own kind of work, it turns out.
The bright spot: the author copies of Almost Yours Again — Avery Beckett’s latest — arrived today, and tomorrow Bella Bruce’s Isolated is apparently on its way, which means by the end of the week this table is going to be significantly more stacked with books that have my words in them.
I held Almost Yours Again in my hands. A real physical object with a spine and pages and everything. I love it. I love it the way you love something you made when you weren’t sure you could, the way you love a thing that exists now when once it only existed in your head. I put it on the table and kept picking it up and putting it down and picking it up again. The cats remained unimpressed. Jo said it looked lovely. I cried a little, which is allowed.
And then, inevitably, the fear arrived alongside the love. What if nobody else loves it? What if the thing I made that feels precious to me lands in the world and the world just continues being the world, unmoved?
I don’t have an answer for that fear. I’m sitting with it. I expect most writers sit with it for the entirety of their careers, so at least it’s good company.
The other thing I’ve been sitting with — and this one is a different flavour of nerve-wracking — is an idea that’s been circling for a while. I’m working up to approaching the Community Progress Association about the possibility of putting together a small Writers Festival in town next year. Something local, something that celebrates Australian romance authors and the people who love them, something that fits the specific shape of where we live rather than trying to be a scaled-down version of something bigger somewhere else.
I haven’t done it yet. I’m in the screwing-up-courage phase, which for me involves a lot of internal rehearsal of conversations that may or may not go anything like how I’ve imagined them. But I think it’s a good idea. I think the town could hold it. And I think — if I can just get myself out the door and into the room — I might be able to make the case.
Watch this space. Or watch me continue to rehearse for another fortnight and then suddenly do it all at once. Either is possible.
— Suzy writing from the old station house, Tasmania, where fourteen cats currently disagree about who owns the good armchair
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