Peaking, Poultry Diplomacy, and the Audacity of Sleep

I am, by any reasonable measure, peaking.

One book in the world. One two weeks from release. The second books in both series queuing up behind them like very patient, very demanding children who know their turn is coming. Life at the moment is an unending carousel of blog posts and release dates and Instagram content and newsletter chains and trying to remember which pen name needs what and when, and I am riding it with all the grace of someone who only yesterday slept until one forty in the afternoon.

In my defence — and I do have a defence — I only went to sleep after the sun came up. So technically it wasn’t a late start so much as a very committed finish to the previous day. This is the story I’m telling and I’m not taking questions.

My cousin, who is a saint among people, fed the fur babies for me while I was horizontal and completely unavailable to the world. I owe her something nice. Possibly several somethings.

Tomorrow is a real day with real tasks. Jo and I are going shopping — groceries, chicken feed, the great recycling of the accumulated drink containers which have reached a volume I’m not going to specify publicly. And we need to find some solution to the poultry situation, which has become a matter of some delicacy.

The birds have been visiting the neighbours.

Not in an aggressive way. Not in a way that suggests anything other than genuine sociable interest in what is happening next door. But poultry are not, it turns out, universally welcomed as impromptu visitors, and the neighbours have expressed that they would prefer their yard to remain a poultry-optional space. I feel this is a reasonable position to hold and I am not unsympathetic. The birds, however, have opinions about fences that I can only describe as flexible.

They are poultry. Not social butterflies. Someone needs to explain this to them.

We have also been continuing our Supernatural rewatch, which has introduced a complication I was not prepared for.

Jensen Ackles crying.

I am a grown woman of a certain age. I am, in fact, old enough to be his grandmother, a fact I am choosing to hold loosely because it is not helpful to anyone. And yet. Tears on those lashes do something to my nervous system that I cannot fully explain or justify and am not going to try. There is an instinct that fires — part maternal, part something that is absolutely not maternal — that just wants to make it better. All of it better. Not always in a PG manner. I said what I said.

I am not proud. I am also not sorry. He started it.

Anyway. One book in the world. One two weeks out. The cycle beginning again. The blogs continuing. The Instagram posts requiring their regular feeding. The chickens wandering wherever they like and the cats negotiating their complicated feelings about Pusheens.

And Dean Winchester somewhere in the middle of all of it, being unreasonably beautiful about his feelings.

This is the life. I have chosen it completely and I would choose it again.

After a sleep, though. Preferably before sunrise this time.

🖤 🏒

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Author: Suzy

Suzy writes from a quiet corner of rural Tasmania, in a 120-year-old station house that has seen more stories than most people ever will. Surrounded by books, cats, and an ever-growing list of ideas, she spends her time building fictional worlds filled with complicated people, found family, and relationships that don’t always fit neatly into a box. She writes under multiple pen names, exploring everything from hockey romance to military stories, magical realism, and fantasy—each one connected by the same emotional thread: people trying to find where they belong. Her personal blog, Life at the Station House, is where she steps out from behind the pen names. Here, she writes about the quieter side of life—rural living, creativity, community, and the moments in between writing sessions that matter just as much as the stories themselves. When she’s not writing, she’s likely tending to her garden, thinking about her next project, or sitting with a coffee while her mind runs a little too fast and a little too unfiltered.

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